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Movie Review: Twilight New Moon

Eric Emin Wood — Fri, 20 Nov 2009 06:13:08 +0000

I am not the audience for this movie.

I did not see the original Twilight. I read the novel and was horrified; how many teenage girls truly believe that men like Edward Cullen exist? (Fewer, probably, than the number of boys men who expect to meet a gorgeous independent woman who caters to their every whim and is miraculously attracted to slovenly underachievers, but that’s a rant for another film.) In real life a man who stalks protects a woman the way Edward does will continue to do so whether her life’s in danger or not. Perhaps the majority of Twilight fans recognize this, and treat the stories as wish fulfillment, much as this reviewer does with good romantic comedies (though not, it must be said, The Ugly Truth, which peddled a similar adolescent fantasy).

On that level, New Moon delivers. It reproduces the central appeal of the books: a man who’s faster, stronger, more romantic, better at playing baseball and musical instruments alike and more beautiful than anyone you could possibly imagine falls for Bella Swan, an ordinary, unremarkable-looking girl, and continually professes not only that he loves her, but that he cannot live without her. So protective is he that when his otherworldly urges place her in danger he actually abandons her to protect her.

This is the basest sort of adolescent fantasy, the kind any writer who’s attended university could dream up, and yet it would be undone by a sense of manufactured cynicism if author Stephenie Meyer didn’t wholeheartedly believe in it. She does, and it would appear a wide cross-section of the western world does too.

The audience I saw New Moon with cheered when Robert Pattinson and Taylor Lautner entered, gasped when Bella was attacked by a vampire and cheered when a pack of werewolves defended her. Director Chris Weitz (The Golden Compass) provides plenty of eye candy, and even throws in a flourish or two (I enjoyed the way he depicted three months passing). With two exceptions – one of the worst-looking CG werewolves I’ve ever seen (only one, thankfully, not the entire pack, and only for one shot) and a flash-forward near the end that I doubt was intended to elicit hearty laughter from the audience but did – he gets the job done.

My problem with the movie lies completely with the source material. I hate Bella; she’s a wallflower, reacting to (instead of acting upon) events around her by screaming, moping and becoming recklessly suicidal when Edward leaves, yet suddenly protective of (and willing to die for) him if he’s in the room and in danger. Fans of Edward will be less than pleased that he’s off-screen for more than half the movie, appearing sporadically in a series of visions. And we all know the central conflict in Twilight is a metaphor for sex, with vampirism standing in for the horrid corruption that awaits Bella should she (gasp!) consummate her relationship with Edward without tying the knot first. To phrase it diplomatically, I do not share Meyer’s Mormon beliefs.

On the other hand, how is an adolescent girl’s desire to meet someone as protective as Edward any different from the hope that your True Love is out there, somewhere, and you could meet them, which forms the backbone of all romantic comedies?

I was completely and utterly indifferent to New Moon. Its fans will lap it up.

Movie Review: 2012

Sara Harowitz — Thu, 12 Nov 2009 17:25:34 +0000

Well folks, it looks like we’ve only got two years to live.With that in mind, are you sure you want to spend the last bit of your precious time watching your terrifying fate on the big screen? If your answer to that question is an enthusiastic and energetic YES, then 2012 is just the movie for you.

Directed by Roland Emmerich, 2012 is about the human race’s greatest fear: the end of the world. According to the Mayan calendar, the world is set to undergo a series of large-scale natural disasters on Dec. 12, 2012, that humans will not be able to survive. The film takes us on the two journeys. The first is with an intelligent but unpopular writer, played by John Cusack. He’s divorced, and has two kids who prefer their mom (Amanda Peet)’s new boyfriend to their real father. Pretty typical, right? Still, if anyone can wiggle back into a child’s heart, it’s Cusack.The second journey follows a geologist (Chiwetel Ejiofor) who works for the White House. He helps the government prepare by giving estimated times for each disaster to hit.

As for the special effects, let’s be honest: they look like a video game. Albeit trying to capture volcanoes the size of cities and earth cracks the size of supermarkets is difficult, it’s no secret that digitalization played a huge role in this film. And there’s no question that 2012 is melodramatic. It’s basically just one horrid natural disaster after the next. The fact that Cusack narrowly escapes death by two seconds on numerous occasions is a bit much.

The film’s most compelling aspect is its underlying moral dilemma: when it comes down to survival, is it every man for himself or every man united? When survival instincts first kick in, panic ensues and individual survival becomes primary. But does that make it right? The movie seems to ask, if you were in the position of these characters, what would you do?

Still, one major problem arises. Is it really a good idea to make this movie now? The world supposedly has only two years left of existence – not exactly a comforting thought. Do we really want mass amounts of people to see such disaster, knowing that some people believe it to be our fate? The film is frightening in that way. You see families get torn apart, witness parents and children saying goodbye for the last time. It makes you think: if this actually happens, where will your loved ones be? Will you get the chance to say goodbye?

This seems like the type of film that should be made after the fact – you know, maybe in 2014, when we are long past this dreaded day and can look back and laugh about how scared we once were. The fact that this date is coming our way so soon is rather unsettling.

Still, 2012 is sure to keep you entertained. It’s action-packed and in-your-face. And hey, it would make for a wicked video game. Let’s just wait a few years before we make it, shall we?

Outer Panel Haven. 17

sarge-ak47 — Mon, 19 Oct 2009 15:31:01 +0000

I live near a hill where the forest is still lush and green.
Yes, the best time to be a gamer, Fall – Winter 2009 brings forth so many amazing games.
Game on! I mean Video Game on.. not that gambling game on. Trust me gambling is not cool.

As always click on the image for full sized goodness.

Game Review: NHL 2K10

sarge-ak47 — Tue, 13 Oct 2009 20:49:52 +0000

The Play offs have started.

The last hockey game I bought for full price was Wayne Gretzky’s 3D Hockey for the N64, since then I haven’t really fallen in love with any new hockey games. Sure, I’ve played my share but nothing has captured the frenzy of the old hockey games and has left me wondering if maybe my expectations are a bit too high. No, I haven’t been under a rock or anything, I’ve played and kept up to date on the newer NHL games but nothing has really stood out enough for me to merit a purchase.

When talks were brewing about NHL 2K10 utilizing the Wii Motion Plus accessory I was really excited to see how evolutionary this title might turn out to be. This excitement was due to the fact that the last sports title I played that utilized the Motion Plus was the excellent Tiger Woods 10. In the end it’s the actual utilization of this little gizmo that will either make or break this title.

So does NHL 2k10 have what it takes?

Gameplay
I’m rather glad that we have this healthy competition going for NHL games. When two or more developers take on a sport you really get to see the creativity come out in each iteration. Where I would call the “other developer” one that goes to fine tuning the gameplay experience, I will give 2K the edge in providing sheer value. Bonus points for 2K for being first to bring hockey to the Wii. What clearly separates the 2K series in the end is its pick up and play arcade-like feel, where as I find the other hockey game out there has become more of a hockey simulator. Now don’t get me wrong, if you feel that the sim approach is what you love then you can certainly replicate that here. One of the features is the ability to tweak every aspect of the game (the 2k sliders) which makes the 2K10 a more robust offering.

Score!!!

In terms of modes you have your normal assortments- starting with season mode, franchise, mini rink, play offs, online, and pond hockey. With the option of having a no hassle quick match online or off, things are kept simple for those of us who might be overwhelmed with the options. There is even a mode to have your Mii become a seasoned hockey player. The actual bevy of play modes are sure to keep the fans of the sport hooked. The game does a great job of offering an auto sign in option the moment the disc is booted but despite all its intentions I found match making to be a frustrating waiting game almost any time of the day. I suppose the real blame lies in the fact that a large majority of Wii owners are not online nor divulging their attention to other fine games on the platform. Elaborating on the Mii integration the title offers themed motion controlled games that focus on the actual play mechanics of hockey. Modes that showcase goalie skills, shoot outs, passing, and dekeing get their own motion controlled challenge. I hate to call any of these mini games since they are far from a party offering; the reason being most of these motion controls are not as simple to grasp and master as you would want for a mini game. Add in also the fact that really there are just 5 different types of games that don’t beckon multiple replays. I know we all hate mini games as a stand alone concept but I believe almost any sports game on the Wii could benefit from a couple of light party style mini games thrown for variety online or off. Online wise there is nothing better than having a league match where you control just one player. Having ten people play with you is a rare achievement in online hockey. It’s a shame though that the Wii Speak isn’t being bundled with this game since most people online are mute.

What this title lacks in the game play department is a true identity, it begins as an arcady experience that tries to dive into sim territory with somewhat fair motion controls. It’s a decent effort but nothing really revolutionary let alone evolutionary. The real drawback is that the package is almost identical to the other consoles offerings save for the small Mii features and that just won’t do.

The controls require the use of a nunchuck as expected with the alternate option going to the classic controller. New this year is the Wii Motion Plus which technically should offer added precision and take this game to exciting heights.
The key word there was “should” since the application of the Motion Plus peripheral is a mixed bag. Flicking the controller to pass is horrendously inaccurate and trying to poke check and tackle someone by thrusting the controller feels ridiculous. What they did manage to nail is the goalie controls that have you face the Wiimote and nunchuck at each other to stop some speedy shots. Granted it’s not as fast of a reaction time as I would have wanted but does the job well. Taking a shot however feels amazing, the further you draw back the remote the more power you can expect to utilize. It is very subtle but just enough to make you appreciate it.

Another good application is the slight stick control you achieve by holding down on the D-pad and using the Wiimote to move your stick to evade incoming attackers. This creates a type of dekeing that is unrivaled on any console. No longer are you limited to idiotic button presses, now your control of the puck is all in your wrists. These applications are far from excellent but do lay out the framework which should help create a more immersible experience next year. The rest of the controls are fairly well laid out with movement allocated to the control stick while shooting and passing respectively being kept to the A and B buttons; finally turbo and backward skating are assigned to Z and C. With respects to passing and shooting you still have to hold the button down and flick the Wiimote to complete the move, honestly I would recommend you turn on pointer passing for your offline sessions since it feels more like an evolution than the motion controls.

At the end of the day it seems like the game really can be played with the same level of immersion without the Motion Plus however the dekeing controls are just so delightful that you might as well try it for yourself.

Now motion plus enhanced.

For the next iteration they should focus on the soccer control blue print ala the fine Winning Eleven series. There are small elements of that here such as pointer passes but unless they treat this sport for what it is (fast paced strategic game play) these problems may repeat year after year.

I will warn you about the Wii Speak utilization, the peripheral is tied to a 16 digit code so go ahead and invest in it. Chatting during a game is smooth and the Wii Speak channel gives you all that in-game access. You’re never really disconnected at any point during team selection to the moment the puck drops. The best moment seems to be when you’re in an online 10 player league match and then are sent to the box to chat with your rival for fighting. Online hockey deserves voice chat! It’s a shame that the peripheral is tied so strongly to a serial code.

Graphics
Things are kept really simple here which is somewhat sad. I find it amusing where other sports titles go out of there way to push the graphical limits of the console, the only game that truly lacks behind is hockey. I’m not just speaking just of the Wii offering, I’m talking about all the console versions. We have seen football, soccer, basketball, baseball, and countless other sports improve drastically each year but the hockey games just seem to get a better reflection mapping on the ice.

Who has a Wii here and is Online??

The Wii version seems to have horrendous cut out crowds and horrible reflection maps. Players do look like the real life counter parts albeit some stiff facial animation. Moving on the positive side of things the shadow works and player animations are very impressive. In fact all those gripes are forgiven once you see and entire arena in motion. For what it’s worth the animation saves this title from looking truly last gen. Still this is a bare minimum and things need to be stepped up drastically next year.

Sound
The standard array of sound effects you’d hear in any hockey game are here. With decent crowd reactions and fairly well done commentating. I found it impressive that they do a recap at the end of each period, despite sounding a tad bit vague it’s definably an extra effort that is appreciated on the Wii. The sound effects are sharp and well done except for the post ricochet which ends up sounding a bit too loud and fake. Musically the game has a decent selection of tracks that are catchy and mainstream. Nothing like hearing Lupe Fiascos’ Superstar the moment you score the first goal.

There should be a drinking minigame in every hockey game

Replay
The sheer amount of things to do will keep you occupied for some time, with tons of modes designed to test your hockey skills. Obviously creating a well rounded online experience with leader boards insure this is an exceptional offering on the Wii. I only wish there were creative Motion Plus themed mini games designed outside the constructs of the game that were more geared towards a party expierence (I can’t believe I just wrote that). Maybe I just expected a bit too much but a good example was how Tiger Woods 10 handeled these options. It’s just about the quality of the offerings.
Another mention to the spectacular online mode despite its horrendous match making option. If you know 10 people who own a Wii (by now we all know at least 50) get them to buy this game and play as a league, I believe this is the greatest online experience on the Wii since Smash Bros. Brawl.

Verdict
NHL 2K10 is a hockey game without an identity. It dances around the fine line of arcade vs. sim without leaning to any one side. It’s a big deal they broke ground on the Wii with a more than decent effort but things need to improve as far as controls and graphics. The list of options and production values won’t win any awards but do deliver a good hockey game. If you own just a Wii and are a hockey fan then this is a must buy; however if you own any other console you might want to rent and see if the 2K series is right for you. Either way give this game some of your attention.

Gameplay          3/5
Graphics        2.5/5
Sound                  3/5
Replay                 3/5

andPOP Covers NHL 2K10

Josh Salem — Sun, 11 Oct 2009 16:39:09 +0000

andPOP got the opportunity to try out 2K Sports’ latest hockey title, NHL 2K10. We had the chance to play the game and talk with the developers.

Game Review: Metroid Prime Trilogy

sarge-ak47 — Thu, 01 Oct 2009 00:39:56 +0000

Primed Perfection

Developer Retro Studios has my heart, what they have managed to create over the last 7 years is nothing short of the most influential and loved series to ever grace any console.
On my list of favorite games 2002’s Metroid Prime for the GameCube ranks the highest, simply put I love this title.

Till this day I am astonished at how a once unknown developer has taken such a beloved franchise and moved it into the third dimension whilst maintaining the classic series feel and essence. Very few games can match the sheer mood and ambiance that the Metroid Prime series is known for.
When I found out that the entire Prime series was coming to the Wii on one disc I just couldn’t believe Retro studios was going jam pack all that awesome sauce into one piece of media.

So what we get in Metroid Prime Trilogy is the excellent GameCube games, Metroid Prime, Metroid Prime 2 Echoes, and the Wii’s Metroid Prime 3 Corruption on a single disc with significant control and graphical enhancements for the GameCube originals plus a clever achievement system that ties all three titles into a seamless gaming experience. It has been a tremendous joy revisiting this entire series conveniently packaged into a metal collector’s edition case with an art pamphlet. You couldn’t ask for a better deal on the Wii.

Yes this is a Wii game

Seriously, three tremendous gems packaged for around $59.99 is a steal!

Gameplay
The Prime series at first glance may look like a first person shooter but actually takes the more appropriate title of First Person Adventure. They employ a lot of exploration, tons of back tracking, zany morph ball puzzles, some delightful first person platforming, and clever battles. In fact each one of the sub genres within the series could very well be a game on its own; yet only in this series do we see such elements blend in a harmonious manner to create an unparalleled gaming experience.

All three titles focused on exploration of alien lands and trying to piece together a story of a greater threat. In the case of Prime 1 you’ll find yourself organically navigating the land to finally confront the final boss. This traversing and exploration aspect feels so natural and that by the end you begin to realize the true magic of the games script and level design. Having locations that were once unreachable quickly become accessible throughout the adventure and uncovering secrets and weapon upgrades never felt more satisfying. On the topic of upgrades expect to see a typical Metroid stereotype of losing your suit powers during the beginning sequence. This is forgivable for Prime 1 but by Prime 2 you feel slightly cheated and a tad bit sad that you’d have to go around and reclaim the upgrades that were yours to begin with again, thankfully this mechanic is tossed away for Prime 3. What all three games do well is create a layered world that beckons to be explored with the various weapons upgrades and insanely cool visors.

Control wise the first two games of the series get a much needed boost as these were original GameCube titles. By applying the same blueprint from Prime 3 the controls (thanks to the IR sensor) are smooth and refreshingly accurate. In fact I went back to the original Cube titles and found the controls very limiting. You visors and beam selection is smartly given to the plus and minus buttons that now overlay the screen and let you freely select the visor or weapon of you choice. Movement is set to the nunchuck and shooting and jumping is set to A and B on your Wiimote. The lock on ability is given to the Z trigger on your nunchuck and finally missiles are now selectable by pressing down on the D-Pad. It is a smart utilization of the Wiimote and nunchuk and feels as intuitive as it is natural. I would strongly recommend that you select advanced controls in the options to get the best results. In advanced, the dead zone of your targeting is minimized giving you a sharper turning radius and faster left and right movement. Trust me it’s worth it.

Prime 1
The gameplay focus is on what wiped out the Chozo of Talon IV with different regions on the planet that need to be explored to solve this mystery. You’ll find yourself going from desert ruins to scenic glaciers to underground mining labs in some of the most diverse landscapes in any of the Metroid series. You begin to unravel the space pirates (your enemies) research and find the missing link to this poison that plagues Talon IV. Along the way expect tons of morphball puzzles and some very interesting story telling thanks in part to your scan visor. Very ambient with tons of cool weapons and memorable boss encounters. Prime 1 ranks as one of the best in this trilogy set.

Prime 2
Often compared to Majora’s Mask from the Zelda series, this iteration has the same gameplay mechanics as its predecessor but with the inclusion of light and dark worlds. Samus answers a distress signal to a planet and finds herself in a conflict between the Luminoth and the dark world menaces known as the Ing. Utilizing ammunition for her beam cannons you are thrust into a world which houses both a light side and a dark side that can be traversed by going through portals. With a lot more boss fights and tons of cool cinematic moments you soon realize the same poison from talon IV has had a hand in the disruptions on this new planet and face off against a new but somewhat familiar foe.
What begins as a side story soon ensues a deep quest to restore Luminous to its normal state.
With tons of secrets and some fine vistas to explore your objective is all about restoring light to the dark and collecting mystical keys to the Ing Hideout. Echoes was less about natural flow and more about objectives based gameplay which to some extent needed to be there since Luminous is dauntingly large and equally complex.

One of the gigantic boss encounters you'll face

Prime 3
Heralded as a return to the series roots while wrapping up the dark Samus/Phazon story arc, Prime 3 was developed for the Wii and released almost a year ago. Weapon upgrades are handled in traditional Metroid fashion with each upgrades replacing your old one. A greater focus is laid on story telling and small investigative work in uncovering where the home planet of Phazon is located. With the most gorgeous levels in the series you are not limited to just one planet and traverse to different parts of the galaxy. Now mixed into the gameplay is an overdrive mode that runs on Phazon and players must use this hyper mode cautiously at the risk of Samus’ health. Adding to that for the first time in Metriod history you get to use your Gunship in some really clever puzzles. Prime 3 showcases some of the finest boss fights and immersive story telling yet.
Since it was a Wii title the motion control implementation is natural and many of the motion interactive moments feel genuine and well thought out.

Graphics
On the visual front things are looking stellar as all three titles have received visual upgrades of which Prime 1 and 2 get the most out of it since they were last generation titles. The entire set runs at 480p and thankfully in widescreen mode. Prime 1 gets a lighting and texture overhaul with environments now looking crisper and more vibrant than ever before. This truly is evident in some dynamic lit rooms and when looking at enemy characters up close. Prime 2 utilized a different rendering tech and so the upgrades may not be as apparent as in the first but they are definitely there. Visually Prime 2 does lag a bit behind but it’s still an upgrade when compared to the GameCube release. I find the reason may be in its design of the dark world and some dreary locations that really can’t benefit from slight visual upgrades. But don’t let that fool you as the game does look stunning for a Wii title. It’s rather sad that games that were released last generation with a small visual upgrade can stand as the best looking Wii games but then again I believe it’s a testament to Retro and their artistic ability.

Prime 3 was developed for the Wii as mentioned before, and its visual fidelity is noticeable right from the beginning; even though the game is a year old it still stands at the top tier of Wii titles. Really they didn’t have to but Retro went in and actually did some minor visual work in Prime 3. All three games are oozing with lush environments that cause you to stand there and stare. With dynamic lighting, tons of level geometry, and some awesome hand drawn textures no two areas look alike. Just try and marvel at the lattice work on each corridor in Elysia and then be stunned as you traverse the high tech solitude of Sanctuary Fortress.

I should tell you that during my review word got out that some effects work was missing from Prime 1, namely slight water dynamics and some gun effects. This seems to be true and a questionable omission on Retro’s part. By no means does it affect the entire games visual scope nor does it hamper on any of the ambiance but its removal does prove odd for the fans who own the original. Above all let me stress that this is very very very minor and I guarantee 90 percent of people won’t even notice this. Still the original had some slight water dynamics and subtle effects like your gun freezing over when loading an ice beam.

I should also let you know that since all three games are selectable from the main menu there was no need to implement each titles personal menu and load out screen, a minor sadness to those of us who have seen the stellar load screens of Prime 1. Seriously it was the best menu load out I had ever seen. In the end the menu and selection screens are well done and follow the trilogy set’s own art style.

Sound
Someone go give Kenji Yamamoto an award! Prime Trilogy houses some of the best work he has ever done. All the music is eerily beautiful, almost like a galactic opera that fuses all sorts of electronic music into one harmonious symphony. Some of the best ambient music is here and a fair amount of it is remixed/ re-imaginations of the original 2D soundtracks. But it’s not just the beautiful music that will catch you ear, a lot of smart effects sounds and ambient location noises complete the entire audio package. Whether it’s the beautiful chorus harmony of Elysia complimented with the turbulent sounds of airborne engine thrusters or the isolated ruins of Chozo and its echoing hallways which compliment the down tempo electronic music; it’s clear that a balance is created in each location through ambient sounds and awesome musical accompaniment.

Power up

Prime 3 takes it a step further with tons of dialog and well acted moments between you and the other bounty hunters. The voice work is top notch and while our heroine remains silent everyone around her certainly has a lot to say.
Turn up the volume on your surround sound set since it does run the standard Dolby Prologic II and defiantly ranks as one of the Wiis finest audio experiences.

Replay
You have three stellar games each taking about 20 hours or so on your fist go to complete .
Add to that hours of replay with an achievement system that is taken from prime 3 and now implemented for the entire trilogy. You collect prime Credits that can be exchanged for items like story boards, music, art, diorama sets, and small cosmetic upgrades ala a new skin for you armor or a virtual bobble head for your ship. Combine the fact tat you can send friend credits and receive them via Wifi and you have an achievements system that rivals the trophies set on PSN. It’s sad that other games on Wii don’t do this.

Add to the whole list is a reworked version of Prime 2’s multiplayer now fully reworked to take advantage of IR motion controls and viola! A perfectly good time waster with you buddies; just don’t expect to play them online since it’s all local here.
Easily clocking at 80 hours I found myself completely in love with the tons of unlockables on this disc.
It’s a title that you’ll come back to again and again. The single player story alone will take up most of your time and should you dive deeper and complete 100 percent, you’ll definitely be treated to more than just an extended ending.

Verdict
The finest trilogy in gaming has come back as a stellar value package. There is no finer example of modern gaming than the Prime series. The innovations, style, music, and game play mechanics have stood the test of time. This is A MUST BUY FOR ALL WII OWNERS.

There are no excuses anymore if you own a Wii. Go out now and get this.
Just like Ocarina of time and Mario 64 before it, the Prime series is the crowning achievement of a classic franchise revived for next gen gaming. I can guarantee that there is no other gaming experience like this.

Gameplay 5/5
Graphics    4.5/5
Sound          5/5
Replay         5/5

Game Review: Professor Layton and The Diabolical Box

sarge-ak47 — Thu, 17 Sep 2009 18:27:34 +0000

Elementary my dear. After almost a year and then some we finally get another Layton game in our grubby little hands. It’s sort of funny as I mentioned in the preview that Japan is on its 4th title and the series is fairly popular there and here is hoping it catches steam in North America. The title is developed by Level 5 who have been handling this small franchise called DRAGON QUEST. The thing that strikes me about The Professor Layton series is how it can be called a true successor to old-school point and click adventure games. Almost every artistic scenery is littered with interactive madness, whether it’s coins that need to be uncovered, a scene to be analyzed or your traditional brain teaser that needs to be solved. Combine the fact that the game follows a very well told story which runs at a decent 12 hours with over 150 puzzles and you have a solid title that is a must buy for gamers of any age group but especially those nostalgic for the old school adventure games.

I've got two tickets to paradise..

Hint 1 – Gameplay I’m going to assume you have a vague idea of what the original title was all about, for the sake of not explaining the mechanics and minute details of the original so I’ll try and keep it more concise and short. The game hasn’t changed much from the original, actually it hasn’t changed any of the mechanics at all from the original. But that’s not really such a bad thing considering the original title was stellar. So for the sequel small refinements will suffice. The meat of the gameplay is the actual point and click story driven puzzle madness of an adventure. You’re taken to a couple of different locations where you uncover coins that you’ll use for hints (since the professor won’t give hints to freeloaders) and carefully follow an intriguing mystery that will have you mulling over countless brain teasers/puzzles. These puzzles are the real star of the show here, they’re genuine, intriguing, and just fascinating to solve. The control and navigation is simple and intuitive. You really feel like a detective at times when whipping out the stylus to solve a devious puzzle. I do like the trace paper option for those puzzles that require you to draw a fair amount; basically you can apply a tracing paper layer over the puzzle area and draw away or note down your thoughts. A nice touch that surely heightens the gameplay. It’s so refreshing to refer back to your working notes on some of the later more tough puzzles in the game. The game has you traversing some interesting places that range from an express train and its frequent stop overs to a quaint European village, a museum and even a castle. Each location has tons of areas to explore. Layton runs at a fairly brisk pace and things never seem to let up or get too intense, I must say it’s an enjoyable ride that will keep your brain active and sharp. Lastly the small inclusion of a “pet” you recieve early on in the game is a nice touch that by the adventure’s end becomes one of the longest running puzzles- no pun intended for those who know. Hint 2 – Graphics I love the look and feel of this title. There aren’t many titles that utilize such beautiful 2D art and have such wonderfully crafted locations. The art style is very reminiscent of European animation with a good dose of Japanese anime injected into it. The characters are drawn with so much personality and detail that it’s often hard not to just observe a location and its bystanders just because of how it all comes together. Just like the previous title, I was blown away by the quality of the animated (and fully voice acted) cartoon sequences thrown in to tell the tale. I wish there were more of these but I do realize the DS Cart has its limitations. Overall the presentation seems like it was given a good polish and shines the entire game. This is an adventure game with brain teasers so you cant expect a robust 3D engine to be running things, so having a talented 2D art team really suits this title and makes it one of those stylistically gorgeous DS titles. Hint 3 – Sound The fully voice acted bits are truly amazing to view and listen to on your DS, the voice acting is done well and makes you wish you wouldn’t have to read dialog boxes for the majority of the title. In terms of ambiant sound the game does its fair share with decent bits like ambiant train noises, sliding doors, etc. anyhing to compliment the tone of the game and create that special ambiance. The music for the puzzles remains almost the same chime tune. It’s definatly complimentary for those puzzles but can get on your nerves if your just hearing it and not playing the game. The other musical selections are fairly well done and have an almost french accordian feel to it, very appropriate and soothing.

Hint 4 - Replay This is the only area where the title might not fully deliver. That’s not to say the adventure is not satisfying nor is it not worth revisiting but essentially once you are done a puzzle and the solution is understood you can’t really have the same level of challenge doing it again can you? So despite the fact that there are a few puzzles with multiple answers, the game is certainly fun but once finished you aren’t going to run into any new reasons to replay it. Granted you could pull this title out after a few months and still be left guessing since you’ve long forgotten the solution but that’s the nature of almost every adventure/ brain teaser title. What you do get that will keep you hooked for a good few months is the DS puzzle of the week. Every week you can connect the game online and download to your Cart a brand new puzzle to solve. I adore this feature since some of the puzzles are quite challenging and will have you scratching your head. Granted you won’t have this feature for the entire year, but while it lasts its something to praise and enjoy. SO GO GET THIS ASAP – lest you want to miss out on this feature. Solution SO without typing too much I’ll summarize what we have. This is a definite buy to all you adventure nuts and brain teaser fans. If you are someone who is into mad casual games and prefers playing brain age or big brain academy let yourself graduate to this title and get a bit more entertainment out of your DS. It is a great ride and has tons of interesting teasers that once solved (without any outside help) give you that RARE sense of accomplishment. I did not feel a single minute was wasted during the 12 hour adventure, it was challenging and very satisfying. GO GET THIS. Gameplay 4.5 /5 Graphics 3.5 /5 Sound 3.5 /5 Replay 3 /5

Under The Rock: Ryan Gosling Makes Weird, Beautiful Music

Emma Renda — Sun, 23 Aug 2009 19:55:42 +0000

Just when I thought Ryan Gosling couldn’t get any sexier. Well, he’s in a band now. Not just any band – a duo with his best friend (and sister’s ex-boyfriend) Zach Shields called Dead Man’s Bones featuring, throughout the entire album, the Silverdale Conservatory Children’s Choir.

The result: songs with titles like “My Body is a Zombie for You” (the chorus of which is shouted by the aforementioned children), set to ominous piano-folk and the Roy Orbison-esque voice of Gosling. The mood is something like the Billy the Kid scene from I’m Not There, and if that reference is too obscure, let’s just call it Halloween. In the video for the band’s first single, “In the Room Where You Sleep”, the choir is outfitted in an array of costumes from skeleton to pirate to ghost.

Gosling has clearly gotten into character yet again – he and Shields created their own label, Werewolf Heart, that will release the debut Never Let a Lack of Talent Get You Down this summer. (Werewolf Heart has also taken on upcoming releases from Ima Robot and The Goat.) And just this week, Dead Man’s Bones announced plans for a North American tour in October, with stops in Toronto, Montreal and Vancouver, and will include a local talent show before each performance.

Dead Man’s Bones has apparently been a work in progress for a few years, according to Gosling’s first ever interview for the band with Pitchfork.com. And the children’s choir have been there from the start.

“We’d rather see a high school play as opposed to a Broadway show any day,” Gosling told Pitchfork. “Not that Broadway shows aren’t great, but there’s just something about a high school play…you’re not distracted by the achievements, you get to watch the process, the will to make something.”

Incidentally, the Silverlake Conservatory is a Los Angeles-based institution co-founded by Flea of the Red Hot Chili Peppers. The choir joined Gosling, Shields and producer Tim Anderson (of Ima Robot) in the studio every Sunday afternoon for several months. On their own, Gosling and Shields followed a strict regime in an effort to maintain the rawest feel possible for the album. Besides a three-take limit and the outlaw of electric guitars, the duo tackle instruments for their first time, including piano, cello and drums.

The stripped-down approach comes in the wake of Gosling ’sand Shields’ past encounters with industry execs trying to tweak their incongruities and refine their production styles.

“There was always some kind of function on the computer, a filter that would assimilate the thing that you wanted, and we didn’t understand why you couldn’t just record the thing that you wanted,” Gosling told Pitchfork. “Like, why you had to do the computerized version of it, why can’t you just record it? It’s more fun that way anyway, because you have to design a way to get that sound. For instance, if you want something to sound like it was on a PA system after a wedding and there’s a few people dancing, why not just create that situation and record that?”

The songs so far available on their MySpace page maintain an untreated vibe, with snippets of children’s laughter, instrumental falters and lopsided clapping rounds. But there is an element of polish coming from a couple of guys who know what they want their music to do. “My Body is a Zombie For You” has a haunting hook the Arcade Fire could have been responsible for, and “In the Room Where You Sleep” evokes a meeting between Morrissey and Tom Waits.

It all sounds a little weird, and it is. But Half Nelson was weird and Gosling landed himself an Oscar nomination for that one.

Movie Review: The Time Traveler’s Wife

Ilan Mester — Fri, 14 Aug 2009 05:01:59 +0000

At points, “The Time Traveler’s Wife” sheds new light into the romantic drama genre. But at others, it just gets old and fails the test of time.

The film – based on the hit novel by Audrey Niffenegger of the same title – revolves around Henry DeTamble (played by Eric Bana), a Chicago librarian with “Chrono Displacement” disorder, a condition which allows him to randomly disappear into both the past and the future without warning (otherwise known as time traveling). He tries to build a life with the woman of his dreams, a young artist named Clare Abshire (Rachel McAdams), but their relationship is tested when the couple is forced to part ways for long periods of time due to his condition.

We first meet Henry as a little kid who’s assured by an older version of himself, after going through a car accident that everything is going to “be okay.” Fast forward a few decades later and a 30 something Henry is greeted by Clare whose known him since the age of six – the problem is, he doesn’t have a clue who she is.

You see, for Henry it’s only years later when he first encounters Clare as a child while he’s in his 40’s and gets transported naked into the past. Apparently the clothes come off when you’ve time travelled, which seems like a cheep excuse to show Bana’s behind every 10 minutes, however, this detail is actually in the book and it gets his character into loads of trouble throughout the story.

When they first meet, Clare trusts him and throws Henry a blanket to cover himself with. He continues to visit her throughout her childhood and their bond eventually grows from friendship to love as Claire gets older.

But most of the film takes place in “real time,” when their timelines converge “naturally.” Although Clare has been in love with Henry since she first met him as a little girl, she has to make him fall in love with her as an adult when Henry meets her for the first time at the library (and when you have someone like McAdams playing Clare, that isn’t hard to do).

What’s hard to deal with is the constant instability and the fact that Clare can never rely on Henry as he can involuntarily disappear just like that. Her hubby isn’t always there for her during New Year’s or other significant dates because he can suddenly poof (with no date of return). This understandably becomes the main source of conflict throughout the film. Unfortunately, it becomes old by the second half hour.

But I will say that when it comes to romance, “The Time Traveler’s Wife” is quite original. While most films have supporting characters who give the main couple a run for their money, in this one, Henry’s main competition is himself.

“I’m competing against myself,” Henry tells Clare. Because she originally met an older Henry, he feels that he’s somehow competing with himself which is quite entertaining. What’s also unique about this film, of course, is the time traveling, but most importantly, fusing science fiction with romance.

The meetings between Henry and the six-year-old Clare are incredibly engaging and the fact that the two aren’t always at the same point in their lives keeps the movie somewhat fresh.

That being said, there are plenty of supporting characters in this film that could have helped keep it fresh, like Henry’s mom, his dad, Clare’s best friend Charisse and Henry’s doctor. But some of them become nothing more than props in this movie. It would have been interesting to develop those characters to add some more depth to the film.

“The Time Traveler’s Wife” is also somewhat jumpy as a movie (which makes sense, after all, the main character can’t control his apparitions) but this makes it nonetheless confusing at times.

So what makes it worth seeing? Rachel McAdams, who’s more than proven she can carry a romantic drama with movies like “The Notebook,” is a driving force in this film, as is Bana. Those who read the book may want to decide for themselves if “The Time Traveler’s wife” is worth the travel to the theatres.

Movie Review: Bandslam

Ilan Mester — Fri, 14 Aug 2009 05:01:54 +0000

If you go into “Bandslam” with very low expectations, you’ll be pleasantly surprised that this PG movie isn’t half bad. In fact, there’s some great lines, characters and story arches (for a Disney-style movie).

The key word here is Disney-style because Bandslam is definitely a step up from its Disney Channel predecessors. And don’t let Mickey Mouse alumna Alyson Michalka (“Phil of the Future”) and Vanessa Hudgens (“High School Musical”) discourage you from seeing this movie because tween, tween parents and everyone in between can take something out of “Bandslam” (including a lesson by Michalka’s character on how to kiss).

Hudgens plays Sa5m (the five is silent and no, I’m not kidding). Sa5m’s a high school misfit with an artistic personality, who speaks slowly and with little tone because she used to stutter as kid. Charlotte (played by Michalka) is her complete polar opposite. The former blond cheerleader (who has her own wikipedia page) ditches pom poms for music during her senior year.

The one thing these two girls share in common is Will Burton (Gaelan Connell), a music geek who’s new to the school and has a tough time making friends wherever he goes — and by tough I mean it’s impossibly hard (his best friend is his mom, just so you have an idea).

Then again, I think most of us could deal with our moms as best friends if only she were Lisa Kudrow (“Friend’s” Phoebe). But Will can’t seem to deal with his friendless life, so he writes everyday to his idol — rocker David Bowie — and fills the singer in on the events that unfold during the day, which becomes the movie’s narrative.

The first of the two leading ladies Will bumps into is Sa5m. When Will’s teacher says the two words he dreads the most (“buddy up”) for a project to showcase one another to the class, he teams up with Hudgens and their relationship kicks off from there.

Be warned: If you were expecting the bubbly sweet Hudgens from “High School Musical,” you’re out of luck because this time, she plays a slightly darker character with a small sense of humour and and an even smaller range of emotion (which the role demands). Sure this character isn’t completely out of her comfort zone, but it proves the former Disney star is able to pull off movie roles outside of the franchise that made her famous.

Sa5m’s relationship with Will is put on hiatus when he meets Charlotte, who asks him to manage her band after witnessing firsthand Will’s extensive knowledge of music.

Their goal is to perform at Bandslam, a regional battle of the bands, and place first to win the ultimate prize: a recording deal. Now, before you say “been there, done that,” because after all, “School of Rock” and “Camp Rock” have already charted into the “kids who rock” category, “Bandslam” shows that there’s still some unexplored territory (as little as it may be).

For starters, it gives the “unpopular kids” personality of their own and shuns away from the archetypical “popular kid” with Charlotte. It’s rare to find a high school movie where the popular girl isn’t as transparent as a glass of water. Charlotte remains mysterious by saying she doesn’t “do why’s” (meaning she doesn’t answer too many questions) and there’s a very funny scene where she claims not to signal on the road because no one needs to know her business.

The movie manages to combine the right dose of drama and comedy. Most of the drama comes from side plots involving Will and Charlotte’s fathers, but depending on your mood there’s actually a few laugh-out-loud moments, like when Will tries to kiss Sa5m and ends up petting her instead of touching her gently (now that one deserves a pat on the back).

The major downside of this movie is its length (it’s close to two hours, so at points, it drags) — and its credibility. Bands like “Pink Floyd,” “The Clash” and “Red Hot Chili Peppers” are name-dropped throughout the film but odds are, the movie’s tween audience won’t clue in on all of these references. And for some reason I just couldn’t buy Charlotte’s rendition of Cheap Trick’s “I Want You To Want Me”.

Still the verdict is see it. The kids will enjoy their favourite disney starletts and oddly enough, the older crowd may well enough enjoy “Bandslam” more than their younger siblings and/or kids. If anything, you should see it for a David Bowie cameo (apparently he does kids movies).