Movie Review: Taking Woodstock
Ang Lee literally makes Woodstock the backdrop to his latest film. The famous music festival is both seen from a distance and heard from a distance. If you go into “Taking Woodstock” knowing that, you won’t be disappointed (ie. you won’t expect to hear crazy Jimi Hendrix drum solos or Janis Joplin’s electrifying voice).
It’s clear that Lee and his longtime collaborator, screenwriter James Schamus, were less interested in showcasing the ‘60s festival itself and more interested in exposing the impact that Woodstock had and the impression it left on the era. The main problem is “Taking Woodstock” uses stereotypical characters to explain the impact of a larger-than-life event.
Based on the memoirs of Elliot Tiber, this comedy (which has its fair doses of drama) tells the story of Elliot Teichberg (played by Demetri Martin) and his family of struggling Jewish immigrants living in White Lake, NY. In 1969, Elliot stumbled across Woodstock and found a home for the festival without a home.
Elliot, who felt empowered by the gay rights movement, was originally working as an interior designer in Greenwich Village. However, he also felt he needed to lend a helping hand to his overbearing parents and their rundown motel in White Lake called El Monaco. Conveniently enough, Elliot was also the head of the local chamber of commerce, which allowed him to approve a permit for the three day “peace & music” festival.