Captain AmericaMarvel Entertainment Inc., home of famed comic book characters such as Iron Man, Spider-Man, X-Men, Captain America, Incredible Hulk and Fantastic Four, was purchased by Walt Disney Co. today.

The deal did not come cheap – Walt Disney Studios shelled out $4 billion in cash and stock to own the comic book catalogue consisting of more than 5,000 characters, some of which were created by legendary Stan Lee.

“This transaction combines Marvel’s strong global brand and world-renowned library of characters . . . with Disney’s creative skills, unparalleled global portfolio of entertainment properties, and a business structure that maximizes the value of creative properties across multiple platforms and territories,” said Robert A. Iger, President and Chief Executive Officer of the Walt Disney Company in a press release.

The full press release – and all the boggling stock statistics – is available online.

But it’s what this deal means to the comic franchise’s loyal fans that is concerning bloggers everywhere today.

The New York Daily News’ David Hinckley makes a valid point that this isn’t one rival company buying out another (think Coke buying out Pepsi). Marvel and Disney have never exactly been adversaries – rather, Disney has been at odds with Warner Bros. since the early 1900s, whereas Marvel has warred it out with DC Comics. However, DC Comics, home of Batman and Superman, is owned by Time-Warner and has admittedly been gloriously profitable since the Batman film franchise obliterated the dividing line between counter- and pop-culture.

The worry remains, as noted by The Wall Street Journal’s Steven Kurutz, of the unsettling offspring that could result from the close proximity of Marvel and Disney’s main characters.

“How about an American Idol-esque mall tour featuring pop songs by Ernst, a teenage girl suffering from the aging disease progeria, who first appeared in issue #135 of New X-Men?” Kurutz writes.

It’s a chilling thought, but Disney isn’t all bad. Sure, their reputation recently consists of little more than the photographic fare littering a teen girls bedroom walls (including Miley Cyrus and the Jonas Brothers.) But that’s because they use subdivisions of the company to release their edgier films, such as the Pirates of the Caribbean series, rather than taming the content for family audiences.

But as everyone knows, there’s nothing better for business than a little competition.

With Marvel/Disney now fiscally and commercially poised to take on DC/Time-Warner, audiences worldwide can expect even more enhancements in the comic adaptation frenzy that erupted this decade.

Of course it’s hard to imagine improving 2008’s Iron Man, and even more difficult to imagine what kind of competition would have encouraged a stronger product than The Dark Knight. But I can’t say I’m not curious.








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