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Natalia brings you the latest news on Adele’s interview with Anderson Cooper, Kristen Bell’s interview on Ellen is auto tuned, Ladyhawke’s latest music video and much more!
Natalia discusses what’s new with Pharrell Williams and her thoughts on Karl Lagerfeld’s mean comments towards Adele’s weight. She also shows a roster of animals behaving like humans and, wait until you see the new size of coffee available at Starbucks!
Natalia dishes the latest news on the Juno Awards nominees, the upcoming Spiderman 3D film starring Emma Stone and Andrew Garfield and is Katy Perry hooking up with Tim Tebow? Watch today’s episode to find out.
When The Kooks are in the studio they’re focused and most importantly, sober. Watch Hugh and Luke explain their reasoning below.
The Kooks released a new album called “Junk of the Heart,” and you would think Hugh and Luke would be very excited about it. Well, they seemed rather indifferent to be honest. We spoke about that and why they don’t care about critics.
Natalia dishes the latest in entertainment news on Joan Rivers, Lana Del Rey and a brand new trailer for the movie Hunger Games.
Natalia talks about how Snooki might be pregnant, Nicolas Cage’s Cage Rage, Elisabetta Canalis is dating Steve-O and more for Feb 1, 2012.
Natalia dishes the news on Miley Cyrus breaking her tailbone, a 100 year old woman who plays the Nintendo DS to stay young and Houston, Texas contemplating a statute of Beyonce.
David Beckham debuts a new line of underwear, the worst dressed celebrity – Shy’m and Matthew Broderick is back as Ferris Bueller with a brand new commercial airing during the Super Bowl on Feb 5th 2012.
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Next time you’re struggling to make conversation, try asking this question: “If you could invite anyone (living or dead) to the perfect house party, who would it be?”
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Nick plays World of Warcraft. Not only that, he’s the head of his guild, demonstrating that it IS possible to juggle being a hardcore gamer with being a top-selling recording artist.
During a LIVE interview on andPOP.com Nick Carter gave out a number and took phone calls from his fans. These were real phone calls from real fans who we gave exclusive access to one of the biggest recording artists of our generation.
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When releasing new music today, half the battle is online promotion. However, contests, signed merch and giveaways aren’t always the best solutions. When working on their latest album, Hedley came up with a brilliant idea, they decided to make trailers.
It’s hard to prepare for an interview with Hedley. So in this interview, we threw caution to the wind, got a 24 of beer and broadcast the interview live on our USTREAM (andPOP.tv). Eventually Jacob, Dave and @jordans_life ended up talking about hairy legs, their newest music video and more.
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Would you be embarrassed if someone scrolled through your iPod? We sit down with Spee and Brendan to talk about the diverse music on their playlist.
Note: See the bottom of this article for a free download from Amos The Transparent, plus their new video!
Most bands don’t go from recording their debut in a bona fide studio to tracking the next release in their drummer’s mother’s basement. Or at least not of their own will. But that’s exactly the unlikely order of things Amos the Transparent have chosen, and it’s turning out to lead them along a favourable path.
After hefty studio bills the first time around and struggling under time restraints, the band decided to go easy on themselves for the next record. They split time between lead singer and mastermind Jonathan Chandler’s home and the basement of Chris Wilson’s mother while she was away in Florida, and rather than setting a deadline, they got together sporadically over what ended up being a nine-month period.
And so was born their sophomore EP, My, What Big Teeth You Have.
Chandler credits the laissez-faire approach to a better product, an album worthy to come on the heels of their acclaimed debut, Everything I’ve Forgotten to Forget. And one that has qualified the band for a Verge Artist of the Year nomination against nearly every heavyweight Canadian act out there. (Think: Feist, Tegan and Sara, The Tragically Hip, etc.)
“Honestly, I don’t expect to rank that well. All of our peers are in that list too,” Chandler said. “It’s an honour to be nominated and considered in the same category but we’re not really going to hope for too much. That’s kind of the people we are. It’s a cool nomination but we’re not gonna spend the money before we have it.”
When Chandler says “the people we are”, he means a laid-back group of musicians with full-time jobs and families and lives on the side. Though he insists they treat Amos with as much responsibility as their other jobs, its clear the band is sort of a side project to life.
Based in Ottawa, Amos was born of Chandler’s solo writings outside of his former band, The Architects, and their fan base is a smattering of followers of each member’s prior projects. Chandler credits Wilson for urging him to pursue the solo endeavour, but the music Chandler had in mind necessitated a full band. Hence he recruited Mark Hyne (guitar, synth) and James Nicol (bass), as well as Dan Hay (guitar) and Kate Cooke (percussion, vocals) for this album.
For 2007′s Everything I’ve Forgotten to Forget, Chandler and Wilson helmed the captain’s seat alongside studio engineer Jason Fee (“pretty much the unseen seventh member of the band”, according to Chandler). The album is a lush blend of post-punk angst and folk undertones, and immediately earned praise as a hidden Canadian gem. Having Amy Millan of Stars sing a duet, “After All That, It’s Come to This” probably didn’t hurt either.
“I think it was at Bluesfest two years ago . . . whenever we go to shows, we always try to get backstage I guess,” explains Mark Hyne of their run-in with Millan. “Somehow we were all hammered and Chris wanders off back stage, and then he’s able to get the rest of the band backstage. We drank a bunch of Malajube’s beer, one thing led to another and we got John singing directly to Amy Millan asking her if she wanted to record on the record and it worked out.”
Chandler took a different, more sober approach to piecing together Teeth. Aside from the fluctuating attendance and intermittent recording sessions coming after work, before dinner and on weekends, Chandler said the entire band was more involved in the songwriting aspect.
“The writing process now is becoming a lot more of a six-person collaborative,” said Chandler. “It’s less of me arranging entire songs, like “”I hear this, I want you to play this.”" I have an idea of what I want to hear, but I won’t demo or voice it. I’ll wait and see what the rest of the band wants to offer.”
Having a broader input from all the members led to the selection of “Lemons (aka BigPondLittleFish)” for the first single. It’s a soft, twangy number that allows Chandler’s husky voice to float atop the music carrying his simple poetry to the forefront.
Chandler let another brain in on the action for “Lemons”, production company Digital Henchman who approached the band to put together the music video for the single which premiered on andPOP this week.
“The video was pretty awesome . . . we hadn’t even seen it until the night before the [release] show,” said Hyne. “We were all pretty awestruck. It’s all cartoony, it’s neat to see the animators’ renditions of the band in cartoon form. Dan looks like a character from He-Man. I look pretty much exactly the same . . .”
Teeth won’t be released in full online until Oct. 13, but the band have already been selling hard copies of the album at shows for months. They even put their guitar tabs on their website so fans can learn to play Amos like Amos, and it was also a thrifty way of getting their music out there without giving away downloads.
“It’s really cool to get fans’ perspectives, whether they are good or not, it’s really cool someone would take time to sit there and learn our songs,” said Chandler. “It’s probably one of the biggest compliments you could ever get. I remember growing up learning guitar . . . I would never be like, “Hey, Joe Perry from Aerosmith, I learned how to play your solo.” We want to make it really accesible. Don’t try to learn it, don’t waste your time.”
Hyne laughed that sometimes even the band has to refer to the tabs to get through rehearsal. Because when it comes to balancing a family and a full-time job alongside the formative years of a music career, even the most dextrous musicians need a hand sometimes.
“When I have to take off for a week and a half from work [to go on tour], I get scared. Am I going to have a job when I get back? Am I going to be able to pay my mortgage?” said Hyne. “Pretty much as soon as you get in the van driving down the 401, you forget about everything else.”
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