In his latest movie, The Woman In Black, Dan traded his Hogwarts uniform for a totally new role as a Dad.
Natalia brings you the latest news on Adele’s interview with Anderson Cooper, Kristen Bell’s interview on Ellen is auto tuned, Ladyhawke’s latest music video and much more!
Natalia discusses what’s new with Pharrell Williams and her thoughts on Karl Lagerfeld’s mean comments towards Adele’s weight. She also shows a roster of animals behaving like humans and, wait until you see the new size of coffee available at Starbucks!
Natalia dishes the latest news on the Juno Awards nominees, the upcoming Spiderman 3D film starring Emma Stone and Andrew Garfield and is Katy Perry hooking up with Tim Tebow? Watch today’s episode to find out.
When The Kooks are in the studio they’re focused and most importantly, sober. Watch Hugh and Luke explain their reasoning below.
The Kooks released a new album called “Junk of the Heart,” and you would think Hugh and Luke would be very excited about it. Well, they seemed rather indifferent to be honest. We spoke about that and why they don’t care about critics.
Natalia dishes the latest in entertainment news on Joan Rivers, Lana Del Rey and a brand new trailer for the movie Hunger Games.
Natalia talks about how Snooki might be pregnant, Nicolas Cage’s Cage Rage, Elisabetta Canalis is dating Steve-O and more for Feb 1, 2012.
Natalia dishes the news on Miley Cyrus breaking her tailbone, a 100 year old woman who plays the Nintendo DS to stay young and Houston, Texas contemplating a statute of Beyonce.
David Beckham debuts a new line of underwear, the worst dressed celebrity – Shy’m and Matthew Broderick is back as Ferris Bueller with a brand new commercial airing during the Super Bowl on Feb 5th 2012.
Daniel Radcliffe is back with his new movie The Woman In Black. It’s a bone chilling remake of a film from the ’80s. Ironically, Daniel actually scares very easily but he’s not afraid of ghosts. In this interview he tells us what really gives him the creeps.
Next time you’re struggling to make conversation, try asking this question: “If you could invite anyone (living or dead) to the perfect house party, who would it be?”
Graffiti6 is starting to make their North American invasion, and they are hitting up the Tonight Show. Does this sound familiar? Well the Beatles made the exact same journey over 40 years ago. Naturally, @jordans_life had to make some comparisons.
Nick plays World of Warcraft. Not only that, he’s the head of his guild, demonstrating that it IS possible to juggle being a hardcore gamer with being a top-selling recording artist.
During a LIVE interview on andPOP.com Nick Carter gave out a number and took phone calls from his fans. These were real phone calls from real fans who we gave exclusive access to one of the biggest recording artists of our generation.
There were great questions about music, fitness, the backstreet boys but the most popular question, however, was about his underwear. In this clip Nick talks about his his ‘Haynes’ and covering his fans with glow in the dark paint.
When releasing new music today, half the battle is online promotion. However, contests, signed merch and giveaways aren’t always the best solutions. When working on their latest album, Hedley came up with a brilliant idea, they decided to make trailers.
It’s hard to prepare for an interview with Hedley. So in this interview, we threw caution to the wind, got a 24 of beer and broadcast the interview live on our USTREAM (andPOP.tv). Eventually Jacob, Dave and @jordans_life ended up talking about hairy legs, their newest music video and more.
Diamandis from Marina and The Diamonds talks to us about her very serious disease. It’s called synaesthetic. And we lied, it’s not a disease. More like a cool condition. Diamandis explains further.
Would you be embarrassed if someone scrolled through your iPod? We sit down with Spee and Brendan to talk about the diverse music on their playlist.
It should go without saying that unless you are The Clash, you should never open your album with a track that outshines the rest of the songs. Too often, musicians put everything out there all at once in the form of a single: the catchiest song, the defining song, the best song. All in one neat little bow.
Take Peter, Bjorn and John. The band penned “Young Folks”, undoubtedly one of the hottest whistle-chorus songs since Gene Kelly. They slot it in as the first song of their debut album, “Writer’s Block” – a promising start. Yet the rest of the album is completely useless. Boring, ambling, flat pop. They blew their premature load all over the place, and never recovered.(Their sophomore album was released in April and committed the same offence. “Lay It Down,” though appearing later in the track list, is an adorable and danceable hit. Every other song, however, is filler.)
Now, as annoying as this is, I too am guilty of perpetuating the curse. It’s so easy to fall in love with one song and never give the rest of the album a second thought. Especially when it’s the first song you hear. For example, I recently fell head over heels for “Daylight” by Matt & Kim. I made the world very aware of my infatuation, playing it for everyone I knew, Facebook status-ing the shit out of it, and listening to it on my own at least four times in one sitting, four times a day.
The song never got old – it still hasn’t, almost three months after my initial discovery – but I began to get curious. Did Matt & Kim have the clout to follow up a track that had completely turned my world upside down, and incidentally the world of all my friends? Was “Daylight” just a lucky break, or was there more to their drum-synth duo?
The suspense was building, and I couldn’t resist. I paused “Daylight” for the first time in weeks. Breathing deeply, I eased into the next song, “Cutdown”. The same sparse yet integral drumming, the same wavering, frenzied vocals, the same ethereal synth undertones. But with a different formula.
It was a miracle! The curse had been broken! This song, though perhaps not everything “Daylight” was to me at the time, was good. Very good. I listened on with glee to the heavier beat of “Good Ol’ Fashion Nightmare,” the very eighties “Don’t Slow Down”, and my new obsession, “I’ll Take Us Home.” Matt & Kim even had the good sense to include an extro remix of “Daylight”, as a sort of congratulations for making it through the nine other songs on Grand.
It became official: “Grand” is an entire album of jangly, hand-clapping, feedbacking tastiness. It has all the hook of MGMT with a more coherent, accessible sound. It has an opening track that knocks your socks off, and then threatens to rip your feet apart with every track that follows. And it is a debut album, no less.
Perhaps I will be one of the few to stop and appreciate the full effect of Grand and perhaps “Daylight” will indeed be all that ever reaches mainstream ears. But Matt & Kim have at least reassured me that there is an exception to every rule, and it doesn’t always have to involve Joe Strummer.
