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Natalia discusses what’s new with Pharrell Williams and her thoughts on Karl Lagerfeld’s mean comments towards Adele’s weight. She also shows a roster of animals behaving like humans and, wait until you see the new size of coffee available at Starbucks!
Natalia dishes the latest news on the Juno Awards nominees, the upcoming Spiderman 3D film starring Emma Stone and Andrew Garfield and is Katy Perry hooking up with Tim Tebow? Watch today’s episode to find out.
When The Kooks are in the studio they’re focused and most importantly, sober. Watch Hugh and Luke explain their reasoning below.
The Kooks released a new album called “Junk of the Heart,” and you would think Hugh and Luke would be very excited about it. Well, they seemed rather indifferent to be honest. We spoke about that and why they don’t care about critics.
Natalia dishes the latest in entertainment news on Joan Rivers, Lana Del Rey and a brand new trailer for the movie Hunger Games.
Natalia talks about how Snooki might be pregnant, Nicolas Cage’s Cage Rage, Elisabetta Canalis is dating Steve-O and more for Feb 1, 2012.
Natalia dishes the news on Miley Cyrus breaking her tailbone, a 100 year old woman who plays the Nintendo DS to stay young and Houston, Texas contemplating a statute of Beyonce.
David Beckham debuts a new line of underwear, the worst dressed celebrity – Shy’m and Matthew Broderick is back as Ferris Bueller with a brand new commercial airing during the Super Bowl on Feb 5th 2012.
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Nick plays World of Warcraft. Not only that, he’s the head of his guild, demonstrating that it IS possible to juggle being a hardcore gamer with being a top-selling recording artist.
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When releasing new music today, half the battle is online promotion. However, contests, signed merch and giveaways aren’t always the best solutions. When working on their latest album, Hedley came up with a brilliant idea, they decided to make trailers.
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Diamandis from Marina and The Diamonds talks to us about her very serious disease. It’s called synaesthetic. And we lied, it’s not a disease. More like a cool condition. Diamandis explains further.
Would you be embarrassed if someone scrolled through your iPod? We sit down with Spee and Brendan to talk about the diverse music on their playlist.
Every year, Toronto’s North by Northeast festival—three days in June packed with hundreds of bands spread out over dozens of small and mid-sized venues across town—proves a tricky balancing act. Big name international acts, the teenagers who practice in the basement around the corner and everyone in between compete for the attention of indie kids and (too many) industry types. We here at andPOP couldn’t cover it all, but we’ve carefully sifted through an exhausting three days of venue hopping to bring you NXNE’s best. Here’s who made noise:
THE WET SECRETS (Thursday, Horseshoe Tavern, 10pm)
This Alberta export lays on the shtick like sweet crude—matching marching band outfits, a two-girl brass section that’s also part ’60s doo-wop duo, and a tidy pile of nonsensical novelty songs. But while so many “funny” bands fail to properly execute musical humour, simply stumbling into insipidity, the Wet Secrets prove they’ve got the talent to back up the wack. Stand-out tracks like “Grow Your Own Fucking Moustache, Asshole” and “It’s Hard to Meet Somebody (Living as a Disembodied Head)” have hipster party anthem potential. Their second album, “Rock Fantasy,” is
currently available from Six Shooter.
CLAIRE JENKINS AVEC BAND (Thursday, Savannah Room, 11pm)
Easily brushing off jetlag after a recent return from Australia, Claire Jenkins and the unfailing charm of her performance made for one of the more unique festival slots. Equal parts carnival side-show, gypsy jam and French-Canadian high school musical, Jenkins and her band (including accordion and upright bass) can be roughly described as “country cabaret” with theatrics—say, a nautical opening with Jenkins piloting an imaginary ship or a track that has her air boxing in big red gloves. A spot-on cover of Barbara’s “Gare de Lyon” was a festival highlight. Their independently released album “Crow’s Nest/ Nid de Pie” is available from CD Baby.
THESE NEW PURITANS (Thursday, Reverb, 1am)
Given the hype pouring out of the UK and the cred of headlining NME’s showcase, the Reverb was oddly empty for the Canadian debut of These New Puritans. Could it be that the incessant hawking of “next big things” could be leaving us all a little immune to British hype? No matter—the band isn’t completely undeserving. While their songs borrow heavily from The Fall and Public Image Ltd., this is one band with the attitude and confidence to credibly attempt a transatlantic leap. Their debut full-length, “Beat Pyramid,” is out on Domino.
SEMI-PRECIOUS WEAPONS (Friday, Velvet Underground, 10pm)
Though it was a bit early in the evening for a heady dose of NYC glam-rock, word around the festival was that this set was not to be missed. Ego-laden and filled with debauchery (both from the stage and the crowd), Semi-Precious Weapons served this town a glittery bitch-slap. This is not something I’d ever want to listen to without the accompanying visual spectacle, but for the 45-minutes that front-man Justin Tranter preened around on stage, Semi-Precious Weapons came across as the hottest act on the planet. Their debut album, “We Love You,” is set for independent release this summer.
WILL CURRIE AND THE COUNTRY FRENCH (Friday, Drake Underground, 12am)
Though fresh off a stint opening up for Sloan, Will Currie at al. look more like they just came off the battle of the bands circuit. The appearance, however, would betray their quality. Currie pieces together upbeat piano tracks that go down easy, reimagining Ben Folds with a little less bombast but way more sincerity. As for the Country French, they’re a competent set of young backers that will surely benefit from a few more years in front of an audience. Though the group didn’t fully connect this time around, they’re among the most promising of the young talent at NXNE. “A Great Stage,” their debut release, is currently out on Sloan’s Murderecords.
COURTNEY WING (Saturday, Clinton’s, 9pm)
Montreal’s Courtney Wing is known for his expansive musicality, including enough instruments, techniques and vocal styles on his records to span several cultures and musical genres. With this arsenal, he creates folky, climactic pop that’s often heavy on the string section. For his NXNE performance, Wing brought along a contingent of opera singers, lending even more drama and soulfulness to his orchestral material. If previews from his upcoming album are any indication, Wing may soon establish himself as something of a Canadian answer to Sufjan Stevens. “Bouquet of Might and Fury” is due out this fall from MapleMusic.
MONOTONIX (Saturday, Sneaky Dee’s, 12am)
This gang of crazed Israelis played every night of the festival, culminating in a soon-to-be-legendary display of pure abandon at Sneaky Dee’s. Lasting all of twenty minutes, the set lacked any of the usual concert accoutrements such as a stage, a separation of band and audience, and even discernable songs. Instead, the impossibly packed and sweat-soaked audience was treated to a mid-crowd instrument set-up; it didn’t last long. The band (while playing!) spent their time touring the venue from above—surfing on the hands of enthralled watchers or dangling from the ceiling—or throwing about all manner of detritus and booze. Their current EP, “Body Language,” is out on Drag City. But really, this is a band meant to be seen. They’ll make a return stop at Sneaky Dee’s in Toronto on July 7.
