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Natalia dishes the latest news on the Juno Awards nominees, the upcoming Spiderman 3D film starring Emma Stone and Andrew Garfield and is Katy Perry hooking up with Tim Tebow? Watch today’s episode to find out.
When The Kooks are in the studio they’re focused and most importantly, sober. Watch Hugh and Luke explain their reasoning below.
The Kooks released a new album called “Junk of the Heart,” and you would think Hugh and Luke would be very excited about it. Well, they seemed rather indifferent to be honest. We spoke about that and why they don’t care about critics.
Natalia dishes the latest in entertainment news on Joan Rivers, Lana Del Rey and a brand new trailer for the movie Hunger Games.
Natalia talks about how Snooki might be pregnant, Nicolas Cage’s Cage Rage, Elisabetta Canalis is dating Steve-O and more for Feb 1, 2012.
Natalia dishes the news on Miley Cyrus breaking her tailbone, a 100 year old woman who plays the Nintendo DS to stay young and Houston, Texas contemplating a statute of Beyonce.
David Beckham debuts a new line of underwear, the worst dressed celebrity – Shy’m and Matthew Broderick is back as Ferris Bueller with a brand new commercial airing during the Super Bowl on Feb 5th 2012.
Daniel Radcliffe is back with his new movie The Woman In Black. It’s a bone chilling remake of a film from the ’80s. Ironically, Daniel actually scares very easily but he’s not afraid of ghosts. In this interview he tells us what really gives him the creeps.
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When releasing new music today, half the battle is online promotion. However, contests, signed merch and giveaways aren’t always the best solutions. When working on their latest album, Hedley came up with a brilliant idea, they decided to make trailers.
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Would you be embarrassed if someone scrolled through your iPod? We sit down with Spee and Brendan to talk about the diverse music on their playlist.

“Partition” is the tragic tale of two star-crossed lovers whose families don’t approve of each other’s spouse. Sound familiar? Self-described as a “latter-day Romeo and Juliet,” the strength of this movie is not in its unoriginal choice of theme, but in the context and subtleties that makes it unique.
There are two main storylines in this film, and each survives essentially with the other to fall back on. There is of course the love story; and there is the story of the partition.
The partition is the time in India when the British rule was coming to an end, and the nation is divided into Muslim Pakistan and Sikh and Hindu India. The relevance of reworking a love story with this historical backdrop creates awareness and dialogue around the topic of religion and religious conflict. This is important when religion seems to be one of the things that divides us most these days. (In fact, the region between India and Pakistan mentioned in the movie is still not entirely peaceful.)
The film does not take sides by showing either side as worse than the other, which is very commendable. Although more of the film is spent with the Sikhs, both the Sikhs and the Muslims are shown at their best – most loving and compassionate – and at their worst – as ruthless killers. This creates a clear sense of sympathy with both groups. The writers have also done effective work in not stereotyping the characters in either religion.
Where the film falls short is not in weak writing, but more in weak directing. There are certain scenes in the film that are simply unbelievable. One example is the amount of time between the lovers’ first kiss and when they are married with a child (this takes mere seconds on screen). Another example is how quickly the young woman gets accepted into the society her people are at war with. Neither of these occurrences are implausible, but they just happen too quickly on the screen (almost laughably so). Another shortcoming is the noticeable changes in the styles and colours of the beards of some of the actors. This makes the audience realize some of them are fake, and takes something away from the credibility of the movie.
Although it is not really a bad film, and although the historical backdrop makes it stronger and more interesting, it basically feels like a love story that has been told a million times. “Partition” cannot hold a candle to similar wide release Indian films. This movie is for those interested in the historical aspects of the partition, but for a more original and powerful film about India, I would strongly suggest Deepa Mehta’s recently Oscar-nominated epic, “Water.”
3*/5*