In his latest movie, The Woman In Black, Dan traded his Hogwarts uniform for a totally new role as a Dad.
Natalia brings you the latest news on Adele’s interview with Anderson Cooper, Kristen Bell’s interview on Ellen is auto tuned, Ladyhawke’s latest music video and much more!
Natalia discusses what’s new with Pharrell Williams and her thoughts on Karl Lagerfeld’s mean comments towards Adele’s weight. She also shows a roster of animals behaving like humans and, wait until you see the new size of coffee available at Starbucks!
Natalia dishes the latest news on the Juno Awards nominees, the upcoming Spiderman 3D film starring Emma Stone and Andrew Garfield and is Katy Perry hooking up with Tim Tebow? Watch today’s episode to find out.
When The Kooks are in the studio they’re focused and most importantly, sober. Watch Hugh and Luke explain their reasoning below.
The Kooks released a new album called “Junk of the Heart,” and you would think Hugh and Luke would be very excited about it. Well, they seemed rather indifferent to be honest. We spoke about that and why they don’t care about critics.
Natalia dishes the latest in entertainment news on Joan Rivers, Lana Del Rey and a brand new trailer for the movie Hunger Games.
Natalia talks about how Snooki might be pregnant, Nicolas Cage’s Cage Rage, Elisabetta Canalis is dating Steve-O and more for Feb 1, 2012.
Natalia dishes the news on Miley Cyrus breaking her tailbone, a 100 year old woman who plays the Nintendo DS to stay young and Houston, Texas contemplating a statute of Beyonce.
David Beckham debuts a new line of underwear, the worst dressed celebrity – Shy’m and Matthew Broderick is back as Ferris Bueller with a brand new commercial airing during the Super Bowl on Feb 5th 2012.
Daniel Radcliffe is back with his new movie The Woman In Black. It’s a bone chilling remake of a film from the ’80s. Ironically, Daniel actually scares very easily but he’s not afraid of ghosts. In this interview he tells us what really gives him the creeps.
Next time you’re struggling to make conversation, try asking this question: “If you could invite anyone (living or dead) to the perfect house party, who would it be?”
Graffiti6 is starting to make their North American invasion, and they are hitting up the Tonight Show. Does this sound familiar? Well the Beatles made the exact same journey over 40 years ago. Naturally, @jordans_life had to make some comparisons.
Nick plays World of Warcraft. Not only that, he’s the head of his guild, demonstrating that it IS possible to juggle being a hardcore gamer with being a top-selling recording artist.
During a LIVE interview on andPOP.com Nick Carter gave out a number and took phone calls from his fans. These were real phone calls from real fans who we gave exclusive access to one of the biggest recording artists of our generation.
There were great questions about music, fitness, the backstreet boys but the most popular question, however, was about his underwear. In this clip Nick talks about his his ‘Haynes’ and covering his fans with glow in the dark paint.
When releasing new music today, half the battle is online promotion. However, contests, signed merch and giveaways aren’t always the best solutions. When working on their latest album, Hedley came up with a brilliant idea, they decided to make trailers.
It’s hard to prepare for an interview with Hedley. So in this interview, we threw caution to the wind, got a 24 of beer and broadcast the interview live on our USTREAM (andPOP.tv). Eventually Jacob, Dave and @jordans_life ended up talking about hairy legs, their newest music video and more.
Diamandis from Marina and The Diamonds talks to us about her very serious disease. It’s called synaesthetic. And we lied, it’s not a disease. More like a cool condition. Diamandis explains further.
Would you be embarrassed if someone scrolled through your iPod? We sit down with Spee and Brendan to talk about the diverse music on their playlist.
The first thing you notice about Kevin Smith (or at least his voice) is that, like his characters, he’s a very articulate speaker. Before a recent virtual round-table interview, he’s warned by his publicist to limit answers to three minutes, to which he counter-warns that he’s not typically able to keep his answers short. However, every response is well phrased, and any wanderings are relevant and useful in some way.
The discussion is ostensibly to promote the DVD release of “Clerks II,” but the subject of the actual disc is touched upon only once, when Smith is asked if fans and critics have any impact on special features.
“Generally when I’m in the midst of making a flick,” he says, “I’m always thinking about the DVD anyway. I mean fuck films, I like making DVDs. But in order for people to treat your DVD seriously, you gotta go the theatrical route first. When you present the flick in theatres,” he continues, “you’ve shown the movie and that’s that. On the DVD, you get to draw back the curtain and show ‘em how it all happened. So when I’m in the midst of even writing the script I’m thinking about what you would do for the DVD and I always try to pack ‘em with as much material as possible because I figure anyone buyin’ wants to know as much as they can about the flick.”
He admits there’s a less altruistic reason too. “It also stands as the final ultimate record of any given movie you make. It’s everything but the kitchen sink or including the kitchen sink, put out there for posterity. As the final record it’s just great to put together what to me is a scrapbook, an album of how I spent that year of my life.”
And then he returns to the question. “There’s never something where I’m like, ‘well, based on public reaction I’ll do more,’” he says, “unless somebody requests a feature that I’ve never thought of before.”
One of the interviewers asks him whether he thinks the underlying message of a movie like “Clerks II” is overshadowed by the vulgarity.
Another asks him whether this is the end of Jay and Silent Bob.
“I reserve the right to do Jay and Bob in the comics, or cartoon form,” he says, “but in terms of me and Jason Mewes playing Jay and Silent Bob… we’re gettin’ a little old, man. I’m 36. Can you imagine me playing Silent Bob at 40? It would not be funny as much as it’d be sad. And Mewes is aging wonderfully, like the dude still has that boyish face, but I mean we got away with doing it six times in flicks, without people being like, ‘it’s tired dude, take off the backwards baseball cap.’ So I think rather than overstay the welcome… restoring them to their place in front of the Quik Stop at the end of ‘Clerks II’ feels like a nice way to go out with them.
“I could definitely see revisiting Dante and Randall in my 40s… ‘Clerks’ is about what I felt it was like to be in my 20s, and ‘Clerks II’ is what I felt it was like to be in my 30s, I can envision somewhere down the road a ‘Clerks III’ where we check in on Dante and Randall in their 40s if I feel I have anything to say about being in my 40s. But, with Jay and Silent Bob, if at age 44 they’re still standing in front of a convenience store, yipes. It might be a tragedy more than anything else. So for now this feels like the way to go out.”
I’d suggest having them buy the video store next door as cover for their drug operations, but this isn’t that kind of interview. I ask him where he got the inspiration for the sequence where everyone begins dancing to the Jackson Five, which leads to a tangent about the use of dialogue in his movies.
“After years of reading reviews where people were just like, ‘he’s a real tell, don’t show kind of director, and cinema’s about showing and not telling and why can’t this dude ever write a scene where visually the story is told as opposed to exposition through dialogue,’” he says, “rather than do a kind of dialogue-driven sequence in which Dante’s expressing his love for Becky I was like, ‘well maybe I’ll try it visually.’ So I started thinking about it in terms of like how does one visually represent falling in love, and there are different kinds of love; you fall in deep, fucking, abiding, and romantic love, and that’s expressed through soft core sex in movies where the music gets all low and there’s really beautiful shots of people fucking in a way that I’ve never seen people fuck in my life; or you can go the route of the pop song, because that’s primarily what the pop song is, generally, it’s about falling in love. And there’s no better pop song than ABC. Suddenly the dance number kinda kicked into my head, and I was like ‘yeah man!’ The idea of this dude kinda fallin’ for this shtick, weakening, and the whole world breaking into song and dance… it was a little goofy and it sure was a step outside what we’d ever done in the first Clerks, but for me it kinda fit.”
Personally, he says, he’d much rather hear what the characters have to say and move the story along that way, but it’s a visual medium and you’re expected to show things. “Maybe I’m in the wrong line of work,” he says, “and I should be doing radio plays instead, but film pays better.”
Then he’s back to addressing the question: “I always figured it’d be something of a lightning rod in the flick where people would either love it or hate it, like ‘what the fuck? A dance number in Clerks?’ But generally it seemed to be well received, and there were a few people who kind of groused about it but generally people seemed to dig it.”
“Clerks II” on DVD is in stores today (Nov. 28).
