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Director’s First Film a ‘Monster’

Posted by Adam Gonshor on July 19th, 2006


Some film school graduates wait years before they see their work on the big screen. Others aren’t as lucky and soon leave the profession (or become critics). And then there’s Gil Kenan – a 29-year-old UCLA film school grad who got hired by movie heavyweights Steven Spielberg and Robert Zemeckis to direct his first full-length film.

Kenan had just one credit to his name: “The Lark,” a 10-minute film he shot for $400, which he used as his senior thesis and finished the day before it was due.

After a screening of the “The Lark” at his school’s film festival in 2002, he was immediately signed to the CAA talent agency. Shortly after, Spielberg and Zemeckis hired him to direct their action-animation “Monster House,” in theatres Friday.

“This whole thing is such a fantasy,” Kenan told andPOP during a recent promotional visit to Toronto. “I was convinced that I would continue making films in my kitchen. I was evicted three times while I was starting to work on this because it took so long to get this movie into gear.”

“Monster House” begins the day before Halloween, when DJ (Mitchel Musso) notices something unusual about the house across the street. The house’s owner, the grumpy Nebbercracker (Steve Buscemi), collapses and DJ thinks he’s responsible for his death. But with Nebbercracker gone, the house takes on a life of its own. With his best friend, Chowder (Sam Lerner) and a girl they rescue and become infatuated with, Jenny (Spencer Locke), DJ tries to save his neighbourhood from the haunted house that has tortured them for so long.

While the film is animated, it is still frightening. But Kenan said kids deserve more credit and can handle a little bit of fear. He compares the experience of watching “Monster House” to an amusement park ride.

“Kids are geniuses and are really brave,” he said. “Sure, 3 and 4-year-olds might be too scared by this, but I think a 7-year-old kid will be right there with you. They have so much aptitude that we don’t tap into.”

Watching “Monster House,” audiences may be so enraptured by it that they will forget the film is animated. This can be attributed to two reasons.

First, the film was shot using a method called performance capture, pioneered by Zemeckis in 2004′s “The Polar Express.” Actors wear body suits and their movements are digitally captured and transformed into animation.

Second, Kenan approached the film as if he were creating live-action. Dan McLaughlin, the head of animation at UCLA, taught his class to ask themselves, “but can this be done in live-action?”

“I always carried that with me every day on the film. I didn’t see this as directing animation; just directing,” said Kenan, who moved to Southern California from Israel at age 7.

One of his first tasks in directing “Monster House” was the casting process. For the role of the three kids, he auditioned hundreds to find three that had believable chemistry (Musso, Lerner and Locke).

Casting the other parts, he lucked out.

“I came up with a wish list,” he said. “I wrote down, very naively, all the actors who I thought would suit each character and somehow I ended up with all of those actors, which is still a mystery to me.”

The all-star cast includes Kathleen Turner, Jason Lee, Maggie Gyllenhaal, Nick Cannon, Catherine O’Hara, Fred Willard, Jason Lee and Kevin James.

And as for the intimidating production team of Spielberg and Zemeckis, Kenan – who will next direct the big-screen adaptation of the apocalyptic novel “The City of Ember” – called their working relationship “perfect.”

“They were great mentors to me. When I needed them, they were there. When it was time to make my movie, they left me alone to do it.”

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